A Photographic Journey Through Dongguan's Past and Present

As autumn's embrace began to fade, I found myself wandering through the heart of Dongguan's downtown area on a cloudy afternoon. Armed with my trusty Sony A6700 and the versatile Sigma 18-50mm F2.8 lens, I embarked on a photographic exploration of this dynamic city.

The air was filled with a sense of anticipation as the city prepared for the upcoming holiday season. Festive decorations adorned the streets, adding a touch of vibrancy to the otherwise subdued atmosphere. My lens was drawn to a bustling restaurant, its staff busily preparing for the influx of holiday diners. The scene was a reminder of the city's vibrant culinary culture and the importance of shared meals in celebrating special occasions.

As I ventured deeper into the city's core, I stumbled upon a cluster of old buildings that seemed frozen in time. These architectural relics offered a glimpse into Dongguan's past, their weathered facades whispering stories of a bygone era. The intricate details of their design, the faded paint, and the worn textures spoke volumes about the city's rich history and the lives of those who once inhabited these spaces.

Exploring the surrounding community, I was captivated by the authentic scenes of daily life that unfolded before my eyes. Here, amidst the towering skyscrapers and modern developments, the essence of traditional Dongguan life persevered. The sights and sounds of the local market, the friendly chatter of residents, and the aroma of street food created a tapestry of experiences that transported me back in time. It was as if I had stepped into a time capsule, witnessing firsthand the lifestyle of the people who called this place home some 30 years ago.

Through my lens, I sought to capture the juxtaposition of old and new, tradition and progress, that defines Dongguan's unique character. The photographs I took on that cloudy afternoon serve as a visual narrative of my journey through this captivating city. They are a testament to the enduring spirit of Dongguan, a place where the past and present coexist in harmony, and where the stories of its people continue to unfold.

Gears & Settings

Figures

Camera

Sony A6700

Lens

Sigma 18-50mm F2.8 DC DN

Creative Style

IN

Date Time

October 2014

Location

Guancheng Subdistrict, Guangdong Province

YouTube

Photos (60)

#: 1 | Date: 2024/10/28 | EP: AP | SS: 1/30s | ISO: 320 | F: 3.5 | +/-: -0.3 | FL35: 36mm

#: 2 | Date: 2024/10/28 | EP: AP | SS: 1/30s | ISO: 250 | F: 3.5 | +/-: -0.3 | FL35: 36mm

#: 3 | Date: 2024/10/28 | EP: AP | SS: 1/30s | ISO: 250 | F: 3.5 | +/-: -0.3 | FL35: 36mm

#: 4 | Date: 2024/10/28 | EP: AP | SS: 1/30s | ISO: 160 | F: 2.8 | +/-: -0.3 | FL35: 75mm

#: 5 | Date: 2024/10/28 | EP: AP | SS: 1/4000s | ISO: 100 | F: 2.8 | +/-: -0.3 | FL35: 75mm

#: 6 | Date: 2024/10/28 | EP: AP | SS: 1/160s | ISO: 100 | F: 2.8 | +/-: -0.3 | FL35: 75mm

#: 7 | Date: 2024/10/28 | EP: AP | SS: 1/1250s | ISO: 100 | F: 5.0 | +/-: -0.3 | FL35: 75mm

#: 8 | Date: 2024/10/28 | EP: AP | SS: 1/100s | ISO: 100 | F: 5.0 | +/-: -0.3 | FL35: 36mm

#: 9 | Date: 2024/10/28 | EP: AP | SS: 1/30s | ISO: 100 | F: 5.0 | +/-: -0.3 | FL35: 72mm

#: 10 | Date: 2024/10/28 | EP: AP | SS: 1/30s | ISO: 250 | F: 4.0 | +/-: -0.3 | FL35: 52mm

#: 11 | Date: 2024/10/28 | EP: AP | SS: 1/30s | ISO: 160 | F: 4.0 | +/-: -0.3 | FL35: 75mm

#: 12 | Date: 2024/10/28 | EP: AP | SS: 1/80s | ISO: 100 | F: 4.0 | +/-: -0.3 | FL35: 75mm

#: 13 | Date: 2024/10/28 | EP: AP | SS: 1/30s | ISO: 250 | F: 4.0 | +/-: -1.0 | FL35: 36mm

#: 14 | Date: 2024/10/28 | EP: AP | SS: 1/2500s | ISO: 100 | F: 4.0 | +/-: -1.0 | FL35: 75mm

#: 15 | Date: 2024/10/28 | EP: AP | SS: 1/320s | ISO: 100 | F: 4.0 | +/-: -1.0 | FL35: 75mm

#: 16 | Date: 2024/10/28 | EP: AP | SS: 1/320s | ISO: 100 | F: 3.2 | +/-: -1.0 | FL35: 75mm

#: 17 | Date: 2024/10/28 | EP: AP | SS: 1/2500s | ISO: 100 | F: 3.2 | +/-: -1.0 | FL35: 27mm

#: 18 | Date: 2024/10/28 | EP: AP | SS: 1/200s | ISO: 100 | F: 3.5 | +/-: -1.0 | FL35: 75mm

#: 19 | Date: 2024/10/28 | EP: AP | SS: 1/500s | ISO: 100 | F: 3.2 | +/-: -1.0 | FL35: 75mm

#: 20 | Date: 2024/10/28 | EP: AP | SS: 1/50s | ISO: 100 | F: 3.2 | +/-: -1.0 | FL35: 75mm

#: 21 | Date: 2024/10/28 | EP: AP | SS: 1/1000s | ISO: 100 | F: 3.2 | +/-: -1.0 | FL35: 75mm

#: 22 | Date: 2024/10/28 | EP: AP | SS: 1/100s | ISO: 100 | F: 3.2 | +/-: -1.0 | FL35: 75mm

#: 23 | Date: 2024/10/28 | EP: AP | SS: 1/30s | ISO: 200 | F: 3.2 | +/-: -1.0 | FL35: 75mm

#: 24 | Date: 2024/10/28 | EP: AP | SS: 1/100s | ISO: 100 | F: 3.2 | +/-: -1.0 | FL35: 36mm

#: 25 | Date: 2024/10/28 | EP: AP | SS: 1/30s | ISO: 125 | F: 3.2 | +/-: -1.0 | FL35: 36mm

#: 26 | Date: 2024/10/28 | EP: AP | SS: 1/160s | ISO: 100 | F: 3.2 | +/-: -1.0 | FL35: 36mm

#: 27 | Date: 2024/10/28 | EP: AP | SS: 1/125s | ISO: 100 | F: 3.2 | +/-: -1.0 | FL35: 36mm

#: 28 | Date: 2024/10/28 | EP: AP | SS: 1/320s | ISO: 100 | F: 3.2 | +/-: -1.0 | FL35: 36mm

#: 29 | Date: 2024/10/28 | EP: AP | SS: 1/100s | ISO: 100 | F: 3.2 | +/-: -1.0 | FL35: 36mm

#: 30 | Date: 2024/10/28 | EP: AP | SS: 1/160s | ISO: 100 | F: 3.2 | +/-: -1.0 | FL35: 52mm

#: 31 | Date: 2024/10/28 | EP: AP | SS: 1/125s | ISO: 100 | F: 3.2 | +/-: -1.0 | FL35: 27mm

#: 32 | Date: 2024/10/28 | EP: AP | SS: 1/80s | ISO: 100 | F: 3.2 | +/-: -1.0 | FL35: 35mm

#: 33 | Date: 2024/10/28 | EP: AP | SS: 1/250s | ISO: 100 | F: 3.2 | +/-: -1.0 | FL35: 75mm

#: 34 | Date: 2024/10/28 | EP: AP | SS: 1/30s | ISO: 160 | F: 3.2 | +/-: -1.0 | FL35: 28mm

#: 35 | Date: 2024/10/28 | EP: AP | SS: 1/125s | ISO: 100 | F: 3.2 | +/-: -1.0 | FL35: 36mm

#: 36 | Date: 2024/10/28 | EP: AP | SS: 1/250s | ISO: 100 | F: 3.2 | +/-: -1.0 | FL35: 36mm

#: 37 | Date: 2024/10/28 | EP: AP | SS: 1/30s | ISO: 125 | F: 3.2 | +/-: -1.0 | FL35: 75mm

#: 38 | Date: 2024/10/28 | EP: AP | SS: 1/30s | ISO: 100 | F: 3.2 | +/-: -1.0 | FL35: 27mm

#: 39 | Date: 2024/10/28 | EP: AP | SS: 1/100s | ISO: 100 | F: 3.2 | +/-: -1.0 | FL35: 52mm

#: 40 | Date: 2024/10/28 | EP: AP | SS: 1/160s | ISO: 100 | F: 3.2 | +/-: -1.0 | FL35: 53mm

#: 41 | Date: 2024/10/28 | EP: AP | SS: 1/30s | ISO: 640 | F: 3.2 | +/-: -1.0 | FL35: 35mm

#: 42 | Date: 2024/10/28 | EP: AP | SS: 1/30s | ISO: 125 | F: 3.2 | +/-: -1.0 | FL35: 35mm

#: 43 | Date: 2024/10/28 | EP: AP | SS: 1/30s | ISO: 160 | F: 3.2 | +/-: -1.0 | FL35: 75mm

#: 44 | Date: 2024/10/28 | EP: AP | SS: 1/30s | ISO: 160 | F: 3.2 | +/-: -1.0 | FL35: 75mm

#: 45 | Date: 2024/10/28 | EP: AP | SS: 1/30s | ISO: 125 | F: 3.2 | +/-: -1.0 | FL35: 52mm

#: 46 | Date: 2024/10/28 | EP: AP | SS: 1/40s | ISO: 100 | F: 3.2 | +/-: -1.0 | FL35: 75mm

#: 47 | Date: 2024/10/28 | EP: AP | SS: 1/60s | ISO: 100 | F: 3.2 | +/-: -1.0 | FL35: 27mm

#: 48 | Date: 2024/10/28 | EP: AP | SS: 1/640s | ISO: 100 | F: 3.2 | +/-: -1.0 | FL35: 75mm

#: 49 | Date: 2024/10/28 | EP: AP | SS: 1/30s | ISO: 400 | F: 2.8 | +/-: -1.0 | FL35: 75mm

#: 50 | Date: 2024/10/28 | EP: AP | SS: 1/640s | ISO: 100 | F: 2.8 | +/-: -1.0 | FL35: 75mm

#: 51 | Date: 2024/10/28 | EP: AP | SS: 1/60s | ISO: 100 | F: 2.8 | +/-: -1.0 | FL35: 75mm

#: 52 | Date: 2024/10/28 | EP: AP | SS: 1/320s | ISO: 100 | F: 2.8 | +/-: -1.0 | FL35: 36mm

#: 53 | Date: 2024/10/28 | EP: AP | SS: 1/30s | ISO: 125 | F: 2.8 | +/-: -1.0 | FL35: 36mm

#: 54 | Date: 2024/10/28 | EP: AP | SS: 1/40s | ISO: 100 | F: 2.8 | +/-: -1.0 | FL35: 75mm

#: 55 | Date: 2024/10/28 | EP: AP | SS: 1/100s | ISO: 100 | F: 2.8 | +/-: -1.0 | FL35: 75mm

#: 56 | Date: 2024/10/28 | EP: AP | SS: 1/320s | ISO: 100 | F: 2.8 | +/-: -1.0 | FL35: 75mm

#: 57 | Date: 2024/10/28 | EP: AP | SS: 1/160s | ISO: 100 | F: 2.8 | +/-: -1.0 | FL35: 75mm

#: 58 | Date: 2024/10/28 | EP: SP | SS: 1/30s | ISO: 640 | F: 2.8 | +/-: -0.7 | FL35: 42mm

#: 59 | Date: 2024/10/28 | EP: SP | SS: 1/50s | ISO: 2500 | F: 2.8 | +/-: -0.7 | FL35: 28mm

#: 60 | Date: 2024/10/28 | EP: SP | SS: 1/50s | ISO: 3200 | F: 2.8 | +/-: -0.7 | FL35: 52mm


在路上|RoadTripPhotography

在路上 | OnTheRoad

Links

Hire me on Upwork YouTube Github Twitter / X  Instagram  Automate The Boring (Blog)

Comments